Jane and Louise Wilson 303 Gallery

Oddments Room

Internationally acclaimed artists Jane and Louise Wilson are known for their film and photographic works, often exploring states of consciousness and the experience of place. This summer a series of large-scale photographs from their ongoing investigation into the 1986 Chernobyl nuclear disaster premieres at the John Hansard Gallery. The exhibition also features a number of other works, many previously unseen in the UK.

Atomgrad (Nature Abhors a Vacuum), 2010 is a suite of eight photographic prints depicting deserted interiors from the abandoned town of Pripyat, situated within the 30km wide Exclusion Zone around the site of the disaster. Books remain on shelves and desks, bed frames remain intact and once-exquisite parquet flooring lies on the ground like rubble. A yardstick appears within each image and is a recurring motif throughout the exhibition. These objects of measurement – functional yet obsolete – act as a marker of scale and order, alluding to the tensions between association and analysis, memory and material fact.

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Tom Pfannerstill Paintings:  From the Street

Louisville, Kentucky-based artist Tom Pfannerstill creates amazing works of art that look like trash, and not just any trash, but actual pieces of litter that he actually found and picked up. For an ongoing series entitled From the Street, Pfannerstill uses the trompe l’oeil technique to paint flat pieces of wood so that they become uncanny likenesses of discarded objects and disposable containers, everything from a smashed boxes of Animal Crackers and Cracker Jack to a beat-up old baseball cap.

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Tjep. creates Bronze Age

This skeletal furniture by Dutch design studio Tjep. is made from bronze in an effort to create a collection of objects “totally opposite to the technology-driven trends” in design

Led by studio founder Frank Tjepkema, Tjep. designed a series of spindly hand-crafted furniture pieces in bronze; “the material that represents the dawn of civilisation”.

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Realistic House Plant Cupcake by Alana Jones-Mann

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Inspired by a gardening project, Brooklyn-based baker Alana Jones-Mann decided to make cupcakes that look like common miniature cacti. Using frosting, green food coloring and of course, baking talent, Alana successfully made a bunch of cacti cupcake cuteness and even planted them on soil (crushed graham crackers). These realistic cacti cupcake are made with such impressive details that some of them even appear sharp to the touch. If you like those edible cacti and want to make your own, head on over to Alana Jones-Mann’s blog and find the step-by-step tutorial.

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At Joshua Liner Gallery, New Works from Tiffany Bozic.

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For this work, Bozic remembers a trip to Mount Lassen, California, with her husband. Recalling the experience—even though several years had passed—Bozic finally sat down to create this painting, remembering her imagination of “deep sea organisms slowly drifting up into the sky from the black current of the water.” She also notes, “I suppose the image stuck with me because it could be a metaphor for a lot of my different emotions… some light and warm, some deep and cold.” The contrasting tones and shades lend themselves to this mood, with negative dark space and dark trees emerging from the solid white snow forms. The ethereal sea shapes preside over the scene.

In an attempt to relay her consciousness’ perspective, this body of work is a rich account of Tiffany Bozic’s incredible encounters with nature. Bozic describes the source of her inspiration as a “complex and inexplicable world.” However, with Qualia, Bozic’s world is within reach and beautifully discrete.

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 Łukasz Wodyński

"The works of Lukasz Wodynski are a a combination of the polemicizing process which every living creature undergoes. Wodynski is interested in the horizontal system of the axis of birth, life, death and defecation of a human organism. He’s constantly Intrigued by the conflict between the appearances and the essence of being, these contrasts are the foundation of the system. Every art nude is simultaneously a question about sexuality and self-awareness of the individual. By creating single situations, figures, gestures and forms Wodynski’s attempt to explore the mystery and alchemy of being, in what is mysterious and dark, colorful and noble, material and timeless within us."

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